Wondercraft, the AI-led audio studio, has recently launched an innovative feature called "Parrot Mode" that gives creators precise control over audio production. This feature allows users to guide AI voices by demonstrating how they want the dialogue to be presented, much like a creative director steering audio.
When collaborating with actors to record dialogue, verbal descriptions of the desired expression are sometimes insufficient. You need to physically show them, such as emphasizing certain words, fluctuating speech speed, or specific emotions. Parrot Mode fulfills these needs perfectly. I highly appreciate this feature and its impressive implementation.
After AI generates audio for your script, you simply select a segment and record your own voice to showcase your creative ideas. Subsequently, AI will attempt to mimic your unique style of delivery. This level of control over AI-generated content is crucial for creators, and I look forward to seeing other products adopt this design.
Oskar Serrander, co-founder of Wondercraft, emphasizes the importance of "Parrot Mode" for audio advertisers and creators. He believes it is a "game-changing" feature that significantly reduces time-consuming feedback loops, enabling brands to quickly achieve their goals while maintaining quality.
In addition to "Parrot Mode," Wondercraft continues to build tools for professional workflows. They are about to launch "Workspaces," a shared space for teams and external stakeholders (such as clients) to collaborate. In Workspaces, users can share scripts, provide real-time feedback, and upload custom voices, music, and pronunciations, streamlining the workflow of creative audio production.
Furthermore, Wondercraft has expanded its audio resources by adding over 200 new voices, covering more than 50 language accents, and hundreds of new music tracks. Serrander emphasizes the company's vision of providing endless creative choices for brands and creators, aiming to make audio creation as user-friendly and cost-effective as visual design.
